They insist upon catching the firefly in daylight The two main styles she wrote in were ghazal and āzād nazm ( free verse) where she utilized several literary techniques and examined delicate topics to create a full image of the female experience. Kaf-e-Āina ( The Mirror's Edge) was released posthumously with works from her diaries and journals. She also published a collection of her newspaper columns, titled Gosha-e-Chashm ( Corner of the Eye). These poetry books are collected in Māh-e-Tamām ( Full Moon). ![]() She subsequently published other volumes of poetry including Sad-barg ( Marsh Marigold) in 1980, and Khud Kalāmi ( Soliloquy) and Inkār ( Denial) in 1990. She was awarded one of the highest honours of Pakistan, the Pride of Performance, for her outstanding contributions to literature. In 1976, Parveen Shakir published her first volume of poetry Khushbu ( Fragrance) to great acclaim. In 1986, she was appointed second secretary of the Central Board of Revenue (now Federal Board of Revenue) in Islamabad, Pakistan. Īfter teaching for nine years, she joined the Civil Service of Pakistan and worked in the customs department. Initially, she wrote under the pen-name "Beena". ![]() She wrote both prose and poetry, contributed columns in Urdu newspapers, and a few articles in English dailies. Parveen Shakir started writing at a very young age. 4.1 Parveen Shakir Urdu Literature Festival.
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